
We have another amazing NOLAFunk weekend coming up at Sullivan Hall with the legendary bassist George Porter Jr. (The Meters) and his band The Runnin Pardners.


New Orleans’ The Radiators will break-up after a final run of shows. The seminal improvisational group will tour through June, including a New Year’s Eve show at Ardmore, PA’s The Palombaro Club, the MOMs Ball and a final appearance at The New Orleans Jazz & Heritage Festival.
A note from the group reads:
After 33 years.…over 4500 live shows….and a dozen albums.…legendary New Orleans rockers The Radiators are finally calling it quits. The band has officially decided to break up in mid-June following their final tour which will include one last New Years’ Eve run, a MOMs Ball and also headlining their final appearance at The New Orleans Jazz & Heritage Festival. The band will honor all dates already on their schedule and are planning to add as many shows as possible before ending their storied 33 year career. The guys want to whole-heartedly thank their long time fans for making this ride as amazing as it has been. They truly feel that their fans are the best and most dedicated in the world and have kept their traveling circus alive. Individual band members will announce their plans in the near future.
You can catch one of their final performances at Sullivan Hall on November 17 and/or 18.


But at Sullivan Hall in the Village this past Friday, clubgoers checked in with Davis Rogan, on whom the character of McAlary is largely based. Mr. Rogan is the higher-caliber musician; but except for that, the similarities are striking: The real Davis knows the minutiae of New Orleans piano tradition, actually does keep his place impossibly messy, and did in fact run for local office on the strength of a self-produced recording. (read full article)
For more information, visit: http://www.nolafunk.com/
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High & Mighty is a particularly exciting opener. These guys are brand spankin’ new (their first album is in final tracking currently) and their shows around NYC are generating buzz. The sound is trad-groove music, but it gets eclectic, and the band is full of talented singers. Like a younger edition of the experimental Funky Nation, HMBB brings fresh energy to the brass band scene and, most of all, promises to induce the booty-shakes.
Late Night Machine is even newer, but they’re not just any opener. Using a more traditional funk-rock setup (guitars, bass, funky keys and drums), they bring a classic funk vibe that feels totally refreshing. The songwriting lies in a great classic soul tradition, but the players imbue the songs with some real energy at a level that surprises for a band on their way up. These are some classy musicians with great material, and the vibe they set ought to be just right to keep the night groovy.